Those are the things that we try to achieve in all of our projects. And I think that’s the real meaning of traveling, and learning from life. I don’t think – especially in the case of young designers – they should be aiming for originality because I think that would make it a short path. This is very true when you are working with clients in different countries. I started to collect posters again just like you said, it’s a precious commodity now, more and. Yes, borderlines are important, and that’s the nature of human being. Whiteboard Journal had a chance to learn more of his purpose of travels and the turnings points that have defined him as a word traveler. But luckily I didn’t, because when I graduated one of my professors asked me if I could work for him and he’s actually one of the partners in Pentagram. Especially in terms of society in general, people tend to not think about how things can come together, design-wise. And when you lose ego, you become nobody, you become easier to adsorb new values, and you will respect differences. That is when I realized it was just another tool that I can use to express my design, but until you go through the rigorous training, the years of creating many works, I don’t think you’d be able to find that voice that says “this is me, this is how I design things.” That is something that you will discover through the process. Your email address will not be published. There’s this dilemma, and essentially I have to do certain things in the business to stay afloat, but then in the process of doing so, Once people do acknowledge that there’s a huge value in bringing design in the creation of everyday life or how to improve it, there’s a major difference in the outcome of the project.I can hopefully start to get involved in projects that have those social impacts. You can’t just put the price tag to design, there’s a certain appreciation to collaborating with a creative person. That is a tricky question, I go to work every day worrying about do I make enough money, right? When I started my journey in Beijing in 2005, I dreamed to reach South Africa by overland journey. I don’t think I have a blanket statement that can define design culture in either country, because I’m very open-minded and I tend to absorb what the project requires and work within that context. What the president of the museum said was. You put something on the web or social media, you send something to your colleagues and clients and they started to say these things, “this is so fresh,” “this is very cool,” those are their words, not yours. The question to me is not about how do you stay relevant and create original works, it’s more about how do you stay authentic to yourself and your work. And. It starts from high school. There’s almost a precious quality to tangible things nowadays I suppose, like how people are starting to collect stuff like recordings and rare books again. It’s matter of happiness. Learn about the basics of graphic design and branding. This is stretching it further than just graphic design but I see graphic design as just one of the things that I do, and when you hear people say design-thinking and all those things, they make sense to me. I kind of live everyday through design, I think about things in how I would design them, why is this design better and how this is improving my life every day. But now after traveling for several years, I understand that destination does not really matter. Then again, some clients do show up and say “we just need a book, give me a website.” There is not a single project that we encounter in the last few years that doesn’t involve both tangible and intangible things, and what I can say is that there are certain things that are better said digitally, and other things that are better experienced tangibly.Â. Things that influence our work or our perspectives always come within this triangle, because I can see the American perspective of things and at the same time the Indonesian perspective of things, and I can also see the Japanese perspective of things. One of the things I like to do is travel, and the few times that I went to Japan I was so impressed with how everything is well designed and they are just like the smallest things. I started to collect posters again just like you said, it’s a precious commodity now, more and more people are thinking about appreciating experiences as opposed to ownership of products. If you ask how to be creative, well what does being creative even mean? The work becomes the product of the tool that we were using, but then one day I realize that I can use this to do something different and combine it with other tools. Seeing how numerous of your projects consistently lean on collaboration and how they can work in a larger scale, what would you say are some of your most held design principles, and can you share about why and how you use them? We found a few art colleges in the States, and I applied to the Maryland Institute College of Art (MICA), so that’s how my journey began. make it timeless so that something that you create today doesn’t get old tomorrow. I learned the techniques by doing. I often say that we’re easy to work with, and what I mean by that is I see every project as an opportunity to collaborate. How did you get your start in graphic design, and how has your journey been in turning your passion into your line of work? Whiteboard Journal is the definitive online destination for a creative lifestyle community. Port Moresby 7 Agustus 2014: Sisi Lain Pulau, Asiki 27 September 2014: Pasar di Garis Batas, Digo 23 Oktober 2014: Takut Bendera Merah Putih, Benkim 25 Oktober 2014: Patok Batas Negeri. We give both national and international audience an access to daily news coverage, in-depth reviews and features on the scope of fashion, music, movies, art & design, entertainment, publication, technology, food & drink, travel, culture and general interest. Praxis playbooks Praxis Journal Praxis Podcast Praxis RE/FRAME. I would consider myself as a creative person, but definitely not those labels. So when I left that was the first thing I was eager to do. So what happened was that we started to realize that we don’t want to be known as the people who used to work for X and Y company, and over the years after that happened people sought to work with us for what we are. Published from Jakarta, Indonesia, the team seeks to gather … I’m the founder of Soapboxly and the SEO Wordsmith at Moz.. You may know me from my Whiteboard Friday videos like The SEO Elevator Pitch, for my contributions to The Beginner’s Guide to SEO, or by some of the articles I’ve contributed to industry publications like 10 Tips to Get Your Content Reviewed & Approved Faster on Search Engine Journal. He was teaching there every other semester, and during my final year, I guess he liked what I did in class so I got a recommendation from Ellen Lupton who was the curator of the National Design Museum. The other part of this is that you’re not doing design work for yourself because you can make everything pretty or beautiful or depressing or edgy or groundbreaking, but all those things would only be categorized that way if people see it that way. And sometimes client shows up and says “I want it this way,” there’s no conversation between us, and that is a really bad way of navigating a project, you just blocked the creative aspect entirely. This is also something that we try to focus on, we try to focus on the design of experience as opposed to only tangible graphic design, in our daily practice I go to work and I will be working on six different projects and they are all in different formats, and I love that feeling that I can just quickly switch between different parts of my brain, it’s liberating to be able to move around and work with different mediums every time. To me. Do you see design in the public as something that is underappreciated? W: Your travel destinations are not conventional to say the least, is there a reason behind your choices of travel? Now for me, the universal identity which united all human beings on earth is “humanity”, as we all have something in common as human being, with our dreams and struggles. I got into hacking it, that was pretty early and it was still called Macromedia Flash, a lot of my classes were using it and somehow I got pretty good at it so I wanted to go to New York to do just that. That’s why I build extensive rapport with subjects before taking their photos, and then follow their daily life to get the most natural photos and to understand their story of life. And on the opposite side, I think – I’m making a general statement about graphic design in Indonesia right now, but. When you don’t have much burden or unreachable dreams, you tend to be happier. We found a way to work together from project management to quality control, and eventually, it becomes a good business now. say we stopped doing print and shifted everything online, that’s fine, but that presents a completely different problem of communicating and distributing information. What the president of the museum said was that good design is often assumed to be naturally occurring by practitioners, most people will only notice bad design if they notice design at all. Definitely. google_ad_width = 160; Published from Jakarta, Indonesia, the team seeks to gather … How do you solve that problem is through design. Short Bio Jim Kalbach is a noted author, speaker, and instructor in design, customer experience, and strategy. They get their funding and they work with designers to distribute information about important policies, such as one of the big things here in New York is about eviction. all faculty. Co-founder and CEO. Forming a passion for traveling, Agustinus Wibowo has spent most of his years in a foreign country. And sometimes. when they hire us they are expecting to get a certain type of quality along with the authenticity that I bring to the table. This was immediately obvious to me when I was doing some work for Indonesian clients while handling a lot of the direction from New York, the process was different in that what we think would sell well was not perceived the same way in Indonesia. It all comes down to how we love to collaborate. And we like to experiment and go wild sometimes, so that is the laboratory aspect. We need to make sure that it’s cohesive and relevant to that audience, and when we do something for Japanese clients we also have to change our mindset, asking will they perceive this as good, is minimalism good for them, should things be more lively, certain things that influence our work is based on our understanding of the audience. You will find that you can’t do that very easily, then again I know a few people whose aim is to own a certain image in their design work. And so one of the projects that they’ve done is creating these little flyers in different languages, they would go to Chinatown and provide these flyers in Chinese explaining that it’s your right to do this and this, they can’t kick you out when you have these documents in your hands. One interesting take away to me from Paula is how design impacts the everyday lives of people. Then again, some clients do show up and say “we just need a book, give me a website.”. Posted on June 20, 2011 by Agustinus Wibowo in Interviews // 0 Comments, http://whiteboardjournal.com/features/roundtable/interview-with-agustinus-wibowo.html, http://whiteboardjournal.com/old/features/roundtable/interview-with-agustinus-wibowo.html. We found a way to work together from project management to quality control, and eventually, it becomes a good business now. That was a really long time and I learned a lot from that. And that’s the reason of the love. And their names, their products right now are all over the world, and that’s because they started their graphic design history very early, they’re way ahead of everyone else. There’s a phase of growth that every country has to go through to achieve a certain level. Good typography is another core DNA, and user-friendliness too. The first time I picked up Photoshop I was amazed by all the things that I can do with it. The example specifically was if you’re designing a book and writing at the same time, then all these things happen, and the idea is that when we have more control over the things that we do everyday, those are what are called the designs of everyday life. Sometimes I also view that nowadays printed things are more delicate compared to print projects ten years ago, we now get to think more elaborately so it’s becoming a rare commodity in a way. We give both national and international audience an access to daily news coverage, in-depth reviews and features on the scope of fashion, music, movies, art & design, entertainment, publication, technology, food & drink, travel, culture and general interest. But I also regard this as the path of my travels, so I also enjoy the struggle. Those are the two things that I see him do over and over, and every time I see something similar I will just think “that’s this guy’s work,” and people expect that from him. But in terms of my image about where do good designs come from shifts over time, I can’t define it any certain way. The most memorable was when I got hepatitis in Thar Desert of Pakistan, a local family brought me home and took care of me with full passion for weeks. There was a boom at that time too, a lot of cool websites happening. From their life experience we can make a reflection of our own life. We give both national and international audience an access to daily news coverage, in-depth reviews and features on the scope of fashion, music, movies, art & design, entertainment, publication, technology, food & drink, travel, culture and general interest. This is something that I have been witnessing more and more when there’s a shift in trend, if you look back to ten years ago there was a trend for minimalism in design, and then things get more lively and colorful, and then there’s flat design, material design, these things come and go. I graduated and I was going to move to New York right away because I was interested in the web, so this was like 2001 and Flash was still really hot, it was really trendy. You turn on the AC and then it hurts the environment. I think a lot of the young designers should beware that they will get people who would hire them without understanding the value of what they bring to the table. This is also something that we try to focus on, we try to focus on the design of experience as opposed to only tangible graphic design, in our daily practice I go to work and I will be working on six different projects and they are all in different formats, and I love that feeling that I can just quickly switch between different parts of my brain, it’s liberating to be able to move around and work with different mediums every time. [laughs] You enter your office and it’s hot, what do you do? You get a lot of emails, a lot of e-blasts, Facebook invites, Instagram notifications, which ones are you following? This is very true when you are working with clients in different countries. There are pros and cons, and if you believe in those sorts of generational division, that certain people behave a certain way, I read that I’m somewhere in between and I kind of feel that way for a long time. But I’d like to think about it from the perspective of what are we trying to achieve. You get a lot of emails, a lot of e-blasts, Facebook invites, Instagram notifications, which ones are you following? I’m quoting Michael Beirut, he said that the quality of our work is only as good as what the client allows it to be.  What I meant is I’ve worked with so many different clients, good and bad, easy and hard, and the good project only happens when the stars are aligning, and when I say the good project that is the outcome of the project. I’m very much attracted by the Middle East culture and dynamics, so I wish to learn Arabic and become a journalist in Middle Eastern countries. That was a really lucky time for me and I didn’t realize it back then, I was just like “I’m going to move to New York and I’ll figure out something.” I knew I was pretty good at what I do but I didn’t know how big of an opportunity that was, to actually got a job at Pentagram right after graduating. “Why am I doing this” is where there is engagement, “why now” is the question of relevance, and “why me” is the authenticity part. I see every project as an opportunity to collaborate. He was teaching there every other semester, and during my final year, I guess he liked what I did in class so I got a recommendation from Ellen Lupton who was the curator of the National Design Museum. Of course, you have to be selective about who you bring to the table. @taylorejones. At the beginning of the studio’s founding, I try to do everything myself, then it reached a point where I realized that I could just get someone else who’s better at this to help me with the project. when something is designed for the right people it contextualizes that way, it gets the message across and it solves big problems. W: Where are the next destinations that you would want to explore before finally settling down? Whiteboard Journal is the definitive online destination for a creative lifestyle community. It’s not matter of easier or not. If you ask how to be creative, well what does being creative even mean? Even in New York, where there’s a lot of graphic design practices and agencies I don’t know very many companies that do this, usually, they’re either strictly graphic designers or technology developers. Of course, you have to be selective about who you bring to the table. Or do you feel you have grown a sense of alienation, feelings of both an insider and outsider at your own country? Another client that I work with recently is the Poster House Museum, one of the works that we did is the Poster Machine which was a tool that allows people to design their posters, and in the process of doing that they can learn about the history of posters, elements that make a good poster design. I would rather travel because I get to experience things that I can remember. We give both national and international audience an access to daily news coverage, in-depth reviews and features on the scope of fashion, music, movies, art & design, entertainment, publication, technology, food & drink, travel, culture and general interest. Haichen Hsu Creative Consultant. Whiteboard Journal is the definitive online destination for a creative lifestyle community. But besides of that dusty color of Afghanistan, there are so many beautiful colors in the country. They are one of our clients and their sole mission is to make government policies easy to understand. Whiteboard Journal is the definitive online destination for a creative lifestyle community. Emma Primastiwi. To me, it’s when everybody wins. Mandy CJ Producer at USS Networks Area DKI Jakarta. I mean, can you really answer that? That is super important to me. We need to make sure that it’s cohesive and relevant to that audience, and when we do something for Japanese clients we also have to change our mindset, asking will they perceive this as good, is minimalism good for them, should things be more lively, certain things that influence our work is based on our understanding of the audience. Once people do acknowledge that there’s a huge value in bringing design in the creation of everyday life or how to improve it, there’s a major difference in the outcome of the project. It was very difficult, and one of the biggest challenges was to find talents in Indonesia that are good enough and trained enough, receptive enough to fit into the mold that we have in New York. I stayed in Afghanistan because I love the country, the people, and the nature. when we have more control over the things that we do everyday, those are what are called the designs of everyday life. That is a tricky question, I go to work every day worrying about do I make enough money, right? But traveling for me now is process of learning. They are like here’s a better way of handling a map, here’s a better way of informing people when is the train going to arrive, I can compare that to how New York is handling these similar things. Learn about the basics of graphic design and branding. This was immediately obvious to me when I was doing some work for Indonesian clients while handling a lot of the direction from New York, the process was different in that what we think would sell well was not perceived the same way in Indonesia. google_ad_client = "ca-pub-5932301563722665"; I read books, mostly travel narratives and history books about the destination and anything related. What initially drew you to be so engulfed in traveling? Another pivoting moment of the history of the studio is when we decided to have partners in Indonesia. Most importantly, I was doing something that wasn’t what I expected to do because initially, I wanted to be this web person, but I realized that I actually learned so much more from working there because I was exposed to all these amazing projects and I ended up learning everything there and that is what I do now with some twists of my own. But if it’s an open-minded conversation between both sides with the understanding of things needing to get done and to achieve certain goals, it’s much likelier that you will end up with something that feels like the product of everyone’s work which achieves the end goal. What most people don’t realize is how hard it is to design something extremely positive. engage with more creative people to understand their process and their perspective, how to talk to creatives. To me. Right, so there are some influences I think early in my career, Ellen Lupton and J. Abbot Miller were the stronger influences, they wrote a book about how designers are editors. Our position is that we use graphic design and technology, it’s a 50-50 split, and we are comfortable shifting from one medium to another, and to me, this is one of the distinctive qualities of us. So I do believe that graphic design should exist more in our public realm and it does influence how people interact with each other, with everyday objects. The work becomes the product of the tool that we were using, but then one day I realize that I can use this to do something different and combine it with other tools. I didn’t know this, but one of the directors of the program was actually the curator of the National Design Museum in the States. Augus Chen UI/UX Consultant. “Why am I doing this” is where there is engagement, “why now” is the question of relevance, and “why me” is the authenticity part. Whiteboard Journal is on Mixcloud. But luckily I didn’t, because when I graduated one of my professors asked me if I could work for him and he’s actually one of the partners in Pentagram. Speaking of design in the digital era, KUDOS has a diverse experience working with both online and offline output, such as the Guggenheim‘s members’ magazine which shows a clear interest to the print medium despite the rapid growth of the digital era. Tammy Liao Co-founder Financial Consultant. I understand the millennials but I also understand the other side, I can appreciate both. Good design, sometimes you don’t even realize that because it’s so transparent, but when it’s bad you’d notice it because you complain about it. In fact, we feel that it is liberating if a client comes in and says “we got this book project,” we would ask them why are they doing that, what is the purpose and then if we realize that it is more appropriate for it to be done as a website, we will propose exactly that because we can do it. “This is the most traditional type of technical interview and is where you are asked to solve an algorithm question using a marker and a whiteboard,” says Avi Flombaum , Co-founder and Dean at Flatiron School in an article for Forbes . By having this as our new borderlines, our world would be much wider and universal. Mar Galo. For photography, as I take mostly human interest picture, I understand the power of expression. We give both national and international audience an access to daily news coverage, in-depth reviews and features on the scope of fashion, music, movies, art & design, entertainment, publication, technology, food & drink, travel, culture and general interest. But I’d like to think about it from the perspective of what are we trying to achieve. Borders is something to engulf an identity, a difference, something that people can be proud of, and something that people can find their safety zone . No wonder, I met many people from those countries who are in nostalgia of life under USSR. When the clients’ side, the non-creative side value our perspective and opinion and recommendation, things just go a lot smoother. Whiteboard Journal is the definitive online destination for a creative lifestyle community. In the beginning, I was searching for myself. Do you share that belief, and how so? I knew I was interested since the beginning, I have been drawing comics and just doing more artistic things, but I wasn’t sure because in high school in Indonesia there was no focus in art whatsoever back then, back in the days.